Of Course I'm Not Sorry - Tyra Tingleff (ChertLüdde) MIT Press the book documents the latter

the book documents the latter period of the artist’s modeling career and how her drug use sparked an episode of psychosis

All her work is full of brilliant observations

Voici quelques-unes des questions dont se saisit la présente publication

Totally Dublin

critic and campaigner Hettie Judah argues that a paradigm shift is needed within the art world to take account of the needs of artist mothers (and other parents: artist fathers

Of Course I'm Not Sorry - Tyra Tingleff (ChertLüdde) MIT Press the book documents the latterTyra Tingleffs paintings twist and squeeze the abstract tendencies of the medium. The works never alight on any one reference point; their surfaces and semi tangible forms are ever restless, locked in an infinite loop, colors and forms seamlessly intertwining and redistributing into a vibrating, ever expanding universe in whose depth the gaze finds no orientation. Nebulous forms appear from nowhere, breaking through areas of raw, untouched canvas.