"Malinche" by Jean Charlot, Fr.-Amer., (1898-1979) Ink probably from the edition in

probably from the edition in American Art Review

and achieved national renown for his lettering and stone cutting

this is the original finished preparatory drawing for one of Blanche Lazzell's most important White Line Color Woodcuts

12-5/16 x 17-3/4

well known for his many scenes of Trenton and Newark

"Malinche" by Jean Charlot, Fr.-Amer., (1898-1979) Ink probably from the edition inOffset Color Lithograph. 1933, ed. 3,500, M. 116, Adams 63, 6 1 8 x 8 1 16, signed in the plate and below in pencil, annotated "extra plate", on cream laid paper, toned at the margin edges, the colors fresh. This print represents a milestone in the history of color lithography in the west; the result of a collaboration in Los Angeles between the artist Jean Charlot and the master printer Lynton R. Kistler to produce a complex high quality color