Kitengela Gail ANDERSON une mystérieuse créature

une mystérieuse créature

digital culture and the fragility of ownerships as it is embedded in a history of cinema

Qu'elles soient appliquées

il y a l’obsession née au XIXe siècle pour la mémoire

extensive illustrations

Kitengela Gail ANDERSON une mystérieuse créatureThis publication originates from the eponymous exhibition at WIELS, Brussels (2023). Through photographic views, the reader is invited to visually (re)visit the exhibition and (re)discover the "supple sculptures" by the Polish Belgian artist Tapta (19261997) and new works by Greet Billet, Hana Mileti, and Richard Venlet, which were inspired by Tapta's practice and made specifically, or adapted, for the exhibition.